MIDPOINT Cold Open 2020

Main goal of this lecture is to put a light on key differences between production and distribution processes of film and tv series. For the most of producers it means completely new role, especially in creative process. We will try to understand new project hierarchy and how to avoid turning life in "love triangle" producer-writer-director into the hell. We will try to identify sources of "soft money" and how to get it on different stages of project - pre-production, production and postproduction. In order to properly approach client and find the best home for our projects we will try to understand main differences between broadcasters and programme needs of networks (terrestrial, linear) and cable (streaming). We will try to understand main differences between theatrical and TV distribution, how to find good distributor, on what stage of the project, what could be the role of distributor in development process and how to find distributor who will be capable to set up successful business and co-production model. What is the meaning of second window in TV series distribution and how important is that for producer.

When you embark on a feature film project, you need to have one great story. When you want to set up a TV series, what you must have is one great premise. If you and the writers you work with play your cards right, this premise will give birth to several great stories over multiple episodes and, hopefully, seasons. It needs careful planning, organization and management to run with your premise. We will take a look at how to begin this process.